Coal I - Marcel Rocha - Ancient Computer Music (File)

Uploaded by alwatts on October 20, Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in.

Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker. Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs. Is the price right? Does a wild bear sleep in the woods? Are they fast? Faster 'n two dogs in a rabbit race; I live in Germany and my sheet music was here, in front of me at my piano, in LESS than 72 hours from the time I ordered it.

Sheet Music Plus doesn't just have great selection, great prices and fast delivery I am a music teacher. This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties.

You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details. Song Spotlight is your all-access pass into the art of songwriting. We bring intimate live performances and fascinating musical insight straight from the artist to you, musician-to-musician. At its very simplest, music is a language just like you'd read aloud from a book. Think of the notes as the letters, the measures as the words, the phrases as the sentences and so forth.

Follow our step-by-step introduction to the language of music and you'll be playing along in no time at all. Generally speaking, your vocal range is the lowest note you can sing to the highest note you can sing. You may be able to reach notes within more than one vocal range, but when it comes to making a decision, comfort is key.

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When a musician learns to read, play and perform music, they gain mental, cognitive and emotional health benefits that will last throughout their lifetime. We partner with music publishers of all sizes throughout the world, maintaining a longstanding commitment to support songwriters, artists and our music publishing partners.

This has resulted in a diverse selection of works being shown which have given the public the opportunity to experience artistic works which seek to express the aesthetics of contemporary society and which have, at times, supported the possibility of new behaviors in the exhibition space.

The exhibition is divided into four themes, each of which represents an aspect of new social behavior: The experiential body; the kinetic body; the virtual body; and the playful body. Each of the exhibition spaces of the CCBB in Brasilia is dedicated to one of these themes: the Glass Pavilion gives the visitor the chance to immerse themselves in the theme of the Experiential Body, experiencing new sensations and perceptions as they use their own body to interact with the works.

Kinetic Body is to be found in Gallery 2, where the visitor can perceive the relationship between real movement and digital movement; between physical movement and moving sound; and physical movement with playful movement. Gallery 1 on the ground floor is the venue for Virtual Body, where the works encourage the visitor to be interactive; digital immersion, selfies, real and virtual emotions.

Playful Body is in the Basement, giving the public the chance to play games, immerse themselves, connect and be playful. An added element is the interaction between the artwork and the viewer. It is the embodiment of my quest to understand the relationship between the self and others.

One intention of my transcription of his work was to mash up popular historic and contemporary sign systems, and to diversify and expand the Emoji lexicon through this process. In the video, two boys take turns playing the marbles, which appear at the side of the screen when they leave the frame, scattering in the space close to the public, and giving continuity to the scene in the material world.

While the video seeks a faithful representation of reality, its unfolding outside the screen seeks to replicate the image. Swings have always held a special fascination for us. As children, we used to play with them. Today we like to reminisce about the enjoyment which we felt while swinging.

We felt disconnected from reality, weightless and free. Thus, the swing becomes a physical component of an interactive installation. The use of 3D oculus enhances the swinging experience with virtual reality, creating a unique immersive adventure and sending you to a crafted watercolor world. While swinging you leave the drab monotony of everyday life behind, find a place to ease your mind and regain your strength.

You rise smoothly into the virtual world. The flight level depends on how long and how high you actually swing. The starting point in the digital world is the same as in the physical world: the ground.

Here everything is pale and dull. When you have the courage to swing more intensively, you will fly higher and the vibrancy of colors will increase. The climax is in space. Upon reaching it the world reaches its maximum in color intensity. If you want to go down, you have to stop swinging, but the colors around you will stay vivid and bright. In the experience, our bodies become more than just our eyes and ears. They are the vehicles to experience and challenge reality. Music is a part of the very human construction.

Music is an expression on gravity on earth and of our bodily proportions. Listening to and creating music together is also a very important social glue. At its heart are four LCD monitor panels, which are assembled in the form of a hollow square, and installed at eye level in the middle of the room. The ensemble appears internally gutted, overgrown and embraced. A tangle of cables and control devices pours out of the middle of the square. All around it several magnifying lenses dangle from chains.

The imageless glaring ray of the monitors looks as if the images had fallen out of them. What remains is the essence of the medium: Light. But the images are still in the screens.

It requires only a small visual aid to recognize them. LCD-Monitors require several polarizing films in front and behind the pixel layers to produce visible images.

These polarizing films filter the certain vibration directions of the emitting light. One of them is located on the surface of the monitor and can easily be scraped off using solvent and a glass scraper. It is an impressive, wondrous experience when images suddenly appear from the pure white by the mere glance through a seemingly transparent film.

But if you turn the lens in front of your eyes, the polarizing structure of the film creates wild color shifts or even complementary negative images. In the design of video images that run across the screens, Karina Smigla-Bobinski worked skillfully with the effect of an opaque glistening body of light: — hands, feet, long black hair pressed against the inside surface of the screens, making them only visible within through the lenses, before disappearing into the white nothingness.

It acts itself. He took it wryly: the machine produces nothing but its industrial self-destruction.

Sep 03,  · When a player finds coal Our new desktop experience was built to be your music destination. Listen to official albums & ineareminusra.planbagerolnorevinnolisuvelrext.cog: Marcel Rocha.

8 Replies to “Coal I - Marcel Rocha - Ancient Computer Music (File)”

  1. Ancient Computer Music by Marcel Rocha, released 22 January 1. Coal I 2. Alien bugs in Argelia 3. Coal II 4. Story of a birth 5. Dancin' bown.
  2. Ancient Computer Music, an album by Marcel Rocha on Spotify. you agree to our use of cookies as described in our Cookie Policy. × Ancient Computer Music By Marcel Rocha. • 5 songs. Play on Spotify. 1. Coal I. 2. Alien Bugs in Argelia. 3. Coal II. 4. Story of a Birth. 5. Dancing Berimbau.
  3. Dec 15,  · Coal I By Marcel Rocha. • 1 song, Play on Spotify. 1. Coal I. Featured on Ancient Computer Music. More by Marcel Rocha. Sambas, Pagodes & Uá-uás. Clouds Formations. We Are Drums. Solo Basso. Gods in the Flesh. More Marcel Rocha. Listen to Marcel Rocha now. Listen to Marcel Rocha in full in the Spotify app. Play on Music Duration: 3 min.
  4. He has been musically active since the early eighties playing and composing original music for gothic bands, electronic music projects and Brazilian progressive music, as well as writing for plays, short-films, dance and games. Ancient Computer Music, released 15 December 1. Coal I 2. Alien Bugs in Argelia 3. Coal II 4. Story of a Birth 5.
  5. Listen to Coal I on Spotify. Marcel Rocha · Song · We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, you agree to our use of cookies as described in our Cookie Duration: 3 min.
  6. Aug 24,  · For those of you who liked my video of Ancient Greek Music I decided to produce a similar piece for the music of Ancient Rome. Please let me know what you thought of the music. The music of ancient Rome was a part of Roman culture from earliest ineareminusra.planbagerolnorevinnolisuvelrext.cog: Marcel Rocha.
  7. Archaeology and Ancient History - Archaeology and Ancient History Books Archaeology and Anthropology - Archaeology and Anthropology Archaeology and Anthropology Freshers - Archaeology and Anthropology department University of ibadan Nigeria.

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